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con negrita y cursiva en
versión bilingüe. Corresponden al formato PDF, el cual permite la descarga,
lectura e impresión del material pero no su modificación; para acceder a los
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Asimismo todos los textos se consiguen en fotocopiadora o en su librería
amiga.
Apuntes introductorios
obligatorios
Apuntes obligatorios
sobre literaturas étnicas
Apuntes
obligatorios sobre obras o autores puntuales
Apuntes no obligatorios de
consulta
- Estados
Unidos – Documentos constitucionales
- Individualismo
en la cultura estadounidense - Sistema
educativo estadounidense
- Expansión
territorial de EEUU (1775-1970)
- La
Poética del territorio neutral en Hawthorne
- Cotton
Mather - El demonio en Nueva Inglaterra - Nathaniel
Hawthorne - Calle Mayor y Relato de la Bomba de Agua del Pueblo
- Literatura
estadounidense contemporánea. Perspectivas multiculturales
- Carbone
- Movimiento por los Derechos Civiles de los Afronorteamericanos
- Alarcón
- Enfoque: Pensamientos sobre la historia y cultura del hispano-chicano
- Chanady
- La hibridez como significación imaginaria
- Barraza
- El estado de los estudios de la frontera: zonas fronterizas y otras
geografías
- Raymund
Paredes - Enseñando Literatura Chicana Una Aproximación Histórica
- Ortiz, E.La
lengua y la historia en dos escritoreslatinounidenses
- Sobre
Toni Morrison y Beloved
-Plan
espiritual de Aztlán
- Howard
Phillips Lovecraft - Textos ensayísticos (Algunas notas sobre algo que no
existe; Notas sobre los escritos de literatura fantástica; Algunas notas sobre
ficción interplanetaria)
- Artículos
sobre la obra de Lovecraft
- Poe
- Ensayos y El Cuervo
- Matelo,
Gabriel - El azar y la mentira en Poe, Hammet, Auster
- Matelo,
Gabriel - Edgar Allan Poe y el estilo verosímil o plausible
- Matelo,
Gabriel - Edgar Allan Poe y su modelo de producción literaria
-
Giménez-Rico,
I. Fin deSiglo y Literatura Femenina
- Young,
P., Ernest Hemingway, Cap I y II
- El
Modernismo Estadounidense
- dos
Santos, "La prosa experimental de Ambrose Bierce"
- Baxter Mistri, Z. “Diecisiete
sílabas: Un haiku simbólico” (en inglés)
Glosarios recomendados de términos categoriales
Williams, Raymond Palabras Clave. Un vocabulario de la cultura y la sociedad.
Buenos Aires.Ediciones Nueva Visión. 2000.
Amícola, José y José Luis de Diego (directores) La teoría literaria hoy:
Conceptos, enfoques, debates. La Plata. Ediciones Al Margen y UNLP. 2008.
Bibliografía sobre canon
literario y mainstream literario
Baym, Nina. “Concepts of the Romance in Hawthorne’s America” En: Nina Baym
Feminism & American Literary History. Rutgers University press. New
Brunswick, New Jersey. 1992.
Bell, Michael. “Arts of Deception: Hawthorne, ‘Romance,’ and The Scarlet
Letter” En: Colacurcio Michael J. (ed.) New Essays on The Scarlet Letter.
Cambridge University Press, Cambridge, 1985.
Bercovitch, Sacvan & MYRA Jehlen. Ideology and Classic American Literature.
Cambridge University Press, 1986., etc.
Chase, Richard. The American Novel and Its Tradition, New York, Doubleday, 1957
Ellis, William. The Theory of the American Romance. An Ideology in American
Intellectual History. U.M.I. Research Press. Ann Arbor. 1989.
Fiedler, Leslie. Love and Death in American Novel. Stein and Day, 1966.
————— “The Dream of the New”. En: Madden David. American Dreams, American
Nightmares. Carbondale. Southern Illinois University Press, 1970.
————— & Houston Baker English Literature: Opening Up the Canon Baltimore,
John Hopkins University Press, 1981.
Guillory, John Cultural Capital. The Problem of Literary Canon Formation. The
University of Chicago Press, 1993.
Jones, Howard Mumford. The Theory of American Literature. Cornell University
Press, 1948.
Lauter, Paul “History and the Canon” Social Text 12 (Fall 1985).
––––––––––––– “Canons and Contexts, New York: Oxford University Press, 1991.
—————––– “The Literatures of America. A Comparative Discipline.” En Ruoff, A.
LaVonne Brown, Ed.; Ward, Jerry W., Jr., Ed. Redefining American Literary
History. New York, Modern Language Association, 1990.
Litz, A. Walton “Literary Criticism” En Hoffman, Daniel (ed.) Harvard Guide to
Contemporary American Writing. Cambridge, Harvard University Pres, 1979.
Matthiessen, F.O. American Renaissance. Art and Expression in the Age of
Emerson and Whitman. New York and London, Oxford University Press, 1941.
Porte, Joel. The Romance in America: Studies in Cooper, Poe Hawthorne,
Melville, and James. Middletown, Conn.: Wesleyan University Press, 1969.
Smith, Henry Nash. Democracy and the Novel. Popular Resistance to Classic
American Writers. Oxford University Press. Oxford, 1978.
—————— Virgin Land. The American West as Symbol and Myth. Harvard University
Press, Cambridge, Mass., (1950) 1970.
Trilling, Lionel 1947, “Manners, Morals, and the Novel” En The Liberal
Imagination. Scribner’s,
New York, 1950.
Bibliografía General
En castellano
AA.VV. La industria de la cultura. Comunicación 2.
Madrid, Alberto Corazón Editor, 1969.
AA.VV. Lo verosímil. Buenos Aires, Ed. Tiempo Contemporáneo, 1968.
Allen, Walter. El sueño norteamericano a través de su literatura. Pleamar,
Buenos Aires, 1969.
Beard, Charles A., Mary R. and William. Historia de los Estados Unidos. Buenos
Aires, Tipográfica Editora Argentina, 1962.
Boorstin, Daniel J. Compendio histórico de los Estados Unidos. Un recorrido por
sus documentos fundamentales. México, Fondo de Cultura Económica, 1997.
Chase, Richard. La novela norteamericana. Buenos Aires, 1958.
Chenetier, Marc. Más allá de la sospecha: La nueva ficción americana desde 1960
hasta nuestros días. Madrid, Visor, 1997.
Colombo, Eduardo. El imaginario social. Buenos Aires, Altamira, 1993.
Crunden, Robert M. Introducción a la historia de la cultura norteamericana. El
Áncora Editores, Bogotá, 1990.
Eble, Kenneth. F. Scott Fitzgerald. Buenos Aires, Pleamar, 1963.
Engelhadt, Tom. El fin de la cultura de la victoria. Estados Unidos, la guerra
fría y el desencanto de una generación. Barcelona, Paidós, 1995.
Feidelson, Charles. El Simbolismo y la Literatura Norteamericana. Buenos Aires,
Nova, 1976.
Howard, Leon. La literatura y la tradición norteamericana. México, Editorial
Novaro, 1964.
Jones, Howard Mumford. Teoría de la Literatura Norteamericana. Buenos Aires,
Bibliográfica Omega, 1968.
Klinkowitz, Jerome. Evolución de la narrativa norteamericana. Buenos Aires,
Ediciones Marymar, 1983.
Lawrence, David H. Estudios sobre literatura clásica norteamericana. Emecé,
Buenos Aires, 1946.
Luedtke, Luther S. (ed.) La Creación de los Estados Unidos. La sociedad y la
cultura de los Estados Unidos. Servicio Cultural e Informativo de los Estados
Unidos, Washington, DC, 1991.
Tocqueville, Alexis de. La democracia en América. (1835) México, Fondo de
Cultura Económica, 1987.
Van Doren, Carl. La novela norteamericana 1789-1939. Sudamericana, Buenos
Aires, 1942
Spiller, Robert E. (ed.) Tiempo de cosecha. La literatura norteamericana:
1910-1960. Editorial Nova, Buenos Aires, 1962.
Spiller, Robert E. Historia de la Literatura Norteamericana. Ediciones La Reja,
Buenos Aires, 1957.
Zabel, Morton Dauwen. Historia de la literatura norteamericana. Losada, Buenos
Aires, 1950.
En inglés
Bercovitch,
Sacvab & Jehlen, Myra. Ideology and Classic American Literature. Cambridge
University Press, 1986.
Bhabha, Homi K. (ed) Nation and Narration. London and New York, Routledge,
1990.
Botting, Fred Gothic Routledge, London and New York, 1996.
Bradbury, Malcolm. Modernism London, Penguin, 1986
Brooks, Peter. The Melodramatic Imagination. Yale, New Haven, 1976.
Ellis, William. The Theory of the American Romance. An Ideology in American
Intellectual History. U.M.I. Research Press, 1989.
Fieldler, Leslie. Love and Death in the American Novel. New York. Criterion
Books. 1960.
Gans, Herbert J. Popular Culture & High Culture. New York, Basic Books,
1999.
Geismar, Maxwell David American Moderns: From Rebellion To Conformity. New
York: Hill and Wang.
Hoffman, Daniel (ed.) Harvard Guide to Contemporary American Writing.
Cambridge, Mass., Harvard University Press, 1979.
Karl, Frederick Robert American Fictions, 1940-1980: A Comprehensive History
And Critical Evaluation. New York: Harper & Row, 1983.
Levin, Harry. The Power of Blackness: Hawthorne, Poe, Melville. (1958) Athens,
Ohio University Press, 1980
Lewis, R.W.B. The American Adam. Innocence Tragedy and Tradition in the
Nineteenth Century. Phoenix Books. The University of Chicago Press. Chicago
1964.
Madden, David. (ed.) American Dreams, American Nightmares. Carbondale and
Edwardsville, Southern Illinois University Press, 1970.
Marx, Leo. The Machine in the Garden. Technology and the Pastoral Ideal in
America. Oxford University Press, New York, 1964.
Matthiessen, F.O. American Renaissance. Art and Expression in the Age of
Emerson and Whitman. New York and London, Oxford University Press, 1941.
Mogen, David, Busby, Mark, and Bryant, Paul. The Frontier Experience and the
American Dream. Essays on American Literature. Texas A & M University
Press. 1989.
Runyon, Randolph Paul. Reading Raymond Carver. Syracuse University Press, 1993.
Saltzman, Arthur M. Understanding Raymond Carver. University of South Carolina
Press, 1988
Smith, Henry Nash. Democracy and the Novel. Popular Resistance to Classic
American Writers. Oxford University Press. Oxford, 1978.
Smith, Henry Nash. Virgin Land. The American West as Symbol and Myth. Harvard
University Press, Cambridge, Mass., (1950) 1970.
Sundquist, Eric J. (ed.) American Realism. New Essays. Yhe John Hopkins
University Press, Baltimore and London, 1982.
Tanner, Tony. City Of Words: American Fiction:1950-1970. New York: Harper &
Row, 1971.
Tanner, Tony. Scenes of Nature, Signs of Men. Cambridge University Press, 1987.
Wagner-Martin, Linda. The Modern American Novel 1914-1945. A Critical History. Boston,
Twayne Publishers, 1990.
Miller, Douglas. The Birth of Modern America 1820-1850. Indianapolis,
Bobbs–Merrill Educational Publishing, 1980.
b) Bibliografía sobre Policial
Baker,
Robert A. & Nietzel, Michael T., Private Eyes: One Hundres an One Knights. A
Survey of American Detective Fiction 1922-1984, BGSU Popular Press, 1985
Bennett, Donna, “The Detective Novel: Towards a Definition of Genre”, en PTL. Journal
for Descriptive Poetics and Theory of Literature, nº 4, 1979.
Bennett, Tony, ed., Popular Fiction (Routledge, 1990)
Boileau–Narcejac, La novela policial, Buenos Aires, Paidós, 1968.
Browne, Ray B., Heroes and Humanities: Detective Fiction and Culture. BGSU Popular Press, 1986
Caillois, Roger, “La novela policial”, en Sociología de la novela, Buenos
Aires, Sur, 1942.
Chandler, Raymond. Chandler por sí mismo, Madrid, Debate, 1990.
Chandler, Raymond. El simple arte de escribir. Cartas y ensayos escogidos.
Buenos Aires, Emecé, 2002.
Chesterton, G.K., “Sobre las novelas policiales”, en Obras completas,
Barcelona, Plaza y Janés, 1961.
Collins, Max A. & Traylor, James L., One Lonely
Knight: Mickey Spillane's Mike Hammer, BGSU Popular Press, 1984
Docherty, Brian, ed., American Crime Fiction: Studies in the Genre (Macmillan,
1988).
Eco, Umberto and Thomas A. Sebeok. The Sign of Three: Dupin, Holmes, Peirce. Bloomington:
Indiana University Press, 1988
Jameson, Fredric, “On Raymond Chandler”, en Most, G., y Stowe, W., The Poetics
of Murder: Detective Fiction and Literary Theory, San Diego, Harcourt Brace
Jovanovich, 1983.
Link, Daniel.
El juego de los cautos. La literatura policial: de Poe al caso Giubileo. Buenos Aires, La Marca Editora, 1992.
Lowndes, Robert, “The Contributions of Edgar Allan Poe”, en Nevins, Francis,
The Mystery Writer's Art, Bowling Green University Press, 1970.
Macdonald, Ross, “The Writer as Detective Hero”, en Nevins, Francis, The
mystery writer's art, Bowling Green University Press, 1970.
Marcus, Steven, ‘Dashiell Hammett and the Continental Op,’ Partisan Review,
XLI, III (1974), 362-77; in Marcus, Representations: Essays on Literature and
Society (Random House, [1975]), 311-31. PN 511
Marling, William. Hard-Boiled Fiction. Case Western Reserve University. Updated
2 August 2001.
Messent, Peter, ed., Criminal Proceedings: The Contemporary American Crime
Novel (Pluto, 1997)
Nevins, Francis M. (ed.) The Mystery Writer’s Art. Bowling Green, Bowling Green
University Popular Press, 1970.
Palmer, Jerry, Potboilers New York, Routledge, 1991
Panek, Leroy Lad, Probable Cause: Crime Fiction in America BGSU Popular Press,
1990
Todorov, Tzvetan., “Typologie du roman policier”, en Poétique de la prose,
Paris, Du Seuil, 1966.
Todorov, Tzvetan, ‘The Typology of Detective Fiction,’ The Poetics of Prose
(Cornell, 1977)
Wilt, David, Hardboiled in Hollywood: Five Black Mask Writers and the Movies
BGSU Popular Press, 1991
Wolfe, Peter, Beams Falling: The Arte of Dashiell Hammet BGSU Popular
Press,1980
Wolfe, Peter, Something More than Night: The Case of Raymond Chandler BGSU
Popular Press, 1985
c) Bibliografía sobre
Ciencia Ficción
En castellano
AA.VV. La mejor ciencia ficción de los años 60.
Buenos Aires, Dronte, 1975.
Asimov, Isaak. Sobre la Ciencia Ficción. Sudamericana, Buenos Aires, 1981.
Capanna, Pablo. “El mito de la sopa primordial” Péndulo (# 13), Buenos Aires,
Ediciones de la Urraca, Noviembre, 1986.
——————– “La nariz de Cleopatra y el teniente Bonaparte.” Péndulo (# 12), Buenos
Aires, Ediciones de la Urraca, Octubre, 1986.
——————– El señor de la tarde. Conjeturas en torno a Cordwainer Smith. Buenos
Aires, Sudamericana, 1984.
David Ketterer. Apocalipsis, Utopía, Ciencia Ficción. La imaginación
Apocalíptica, la Ciencia Ficción y la Literatura Norteamericana. Ediciones Las Paralelas. Buenos Aires, 1976 (New Worlds for Old. Anchor
Books Edition: 1974).
Haraway, Donna
J. Ciencia, cyborgs y mujeres. La reinvención de la naturaleza. Madrid,
Ediciones Cátedra, 1991.
Link, Daniel (comp.) Escalera al cielo. Utopía y ciencia ficción. Buenos Aires, La Marca, editora, 1994.
En
inglés
Aldiss,
Brian W. Billion Year Spree: The True History of Science Fiction. New York,
Doubleday & Company, Inc., 1973.
Alkon, Paul K., 1994. Science Fiction Before 1900: Imagination Discovers
Technology. New York, Twayne Publishers.
Allen, Dick (ed), Science Fiction: The Future. Harcourt Brace Jovanovitch, Inc.
New York.1971. ‘Introduction’ and ‘Part 3: Theory’
Ashley, Mike., 1974 The History of the Science Fiction Magazine. Volume I:
1926–1935. Chicage, H. Regnery Co., 1976.
Ashley, Mike., 1975 The History of the Science Fiction Magazine. Volume 2:
1936–1945. Chicago, H. Regnery Co., 1976.
Bailey, Kenneth V., 1987. “Aliens for the Alienated” [Slusser, G. E.;
Greenland, C & Rabkin, E. S., 1987. Storm Warnings: Science Fiction
Confronts the Future. Carbondale, Southern Illinois University Press.]
Benford, Gregory “Real Science, Imaginary Worlds” [Hartwell, David G. and
Cramer, Kathryn (eds.) The Ascent of Wonder. The Evolution of hard sf. New
York, A Tom Doherty Associates Book, 1994. pp. 15–23.]
Cramer, Kathryn. “On Science and Science Fiction” [Hartwell, David G. and
Cramer, Kathryn (eds.) The Ascent of Wonder. The Evolution of Hard SF. New
York, A Tom Doherty Associates Book, 1994. pp. 24–29.]
Dean, John, 1982. “The Uses of Wilderness in American Science Fiction.” [Science
Fiction Studies # 26 Volume 9, part 1, March 1982.]
Delaney, Samuel R., 1991. “Reading Modern American Science Fiction”. American
Writing Today Edited by Richard Kostelanetz. Whiston Troy, N.Y.
Ellis, R.J. & Garnett, R. (eds), 1990. Science Fiction Roots: Contemporary
Critical Approaches. New York, St. Martin’s Press, 1990.
Featherstone, Mike and Burrows, Roger. Cyberspace Cyberbodies Cyberpunk.
Cultures of Technological Embodiment. London, SAGE Publications, 1995
Franklin, H. Bruce. “America as Science Fiction: 1939.” [Science Fiction
Studies # 26 Volume 9, Part 1, March 1982.]
————————— Future Perfect. American Science Fiction of the Nineteenth Century—An
Anthology. (1966) New Brunswick, New Jersey, Rutgers University Press, 1995.
Freedman, Carl. Critical Theory and Science Fiction. Hanover, Wesleyan
University Press, 2000.
Greenberg, M.H.; Olander, J; and Pohl, Frederick (eds) Science Fiction of the
40’s. Avon Books, New York., 1978. Introduction by Pohl, Frederick
—————————— Science Fiction of the 50’s. Avon Books, New York., 1979. Preface by
Frederick Pohl
——————————Science Fiction of the 40’s. Avon Books, New York., 1978. Preface by
Frederick Pohl.
——————————Science Fiction of the 50’s. Avon Books, New York., 1979.
Hartwell, David G. “Hard Science Fiction” [Hartwell, David G. and Cramer,
Kathryn (eds.) The Ascent of Wonder. The Evolution of Hard sf. New York, A Tom
Doherty Associates Book, 1994. pp. 30–40.]
James, Edward. Science Fiction in the 20TH Century. New York, Oxford University
Press, 1994.
Joshi, S.T. “Topical References in Lovecraft” [Extrapolation, Fall 1984, Vol 25
Nº 3]
Knight, Damon (ed.), 1975. Science Fiction of the 30’s. Avon Books, New York.
Introduction to Part I. “The Early Years”.
Le Guin, Ursula & Atterbey, Brian. The Norton Book of Science Fiction. North
American Science Fiction, 1960–1990. New York, Norton & Co., 1993.
Lovecraft, Howard Phillips. Supernatural Horror in Literature. New York, Dover
Publications, Inc. 1973.
McConnell, Frank, 1987. “Boring Dates: Reflections on the Apocalypse Game.”
[Slusser, G. E.; Greenland, C & Rabkin, E. S., 1987. Storm Warnings:
Science Fiction Confronts the Future. Carbondale, Southern Illinois University
Press.]
Millhauser, Milton, 1973. “Dr. Newton and Mr. Hyde: Scientists in Fiction from
Swift to Stevenson.” Nineteen–Century Fiction. December 1973, Vol 23 Nº 3
University Of California Press.
Milstead et all., 1974. Introduction to Milstead, Martin; Greenberg, Harry;
Olander, Joseph D. and Warrick, Patricia (eds). Sociology through Science
Fiction. St. Martin’s Press. New York.
——————, 1975. [Milstead, J. W.; Greenberg, M. H.; Olander, J.; Warrick,
P.(eds)] Social Problems Through Science Fiction. St. Martin’s Press, New York.
Mumford, Lewis, 1964. “Progress as ‘Science Fiction’” [Mumford, Lewis. The Myth
of the Machine. Volume 2: The Pentagon of Power. Harcourt, Brace Jovanovitch,
Inc., New York. 1964, 1970.
Parrinder, Patrick (ed.), 1979 Science-Fiction. A Critical Guide. New York,
Longman.
———————, 1990. “Scientists in Science Fiction: Enlightenment and After.” [Ellis,
R.J. and Garnett, R. (eds), 1990. Science Fiction Roots: Contemporary Critical
Approaches. New York, St. Martin’s Press, 1990.]
——————— Science-Fiction. Its Criticism and Teaching. Methuen, London and New
York, 1980.
Porush, David, 1985. The Soft Machine: Cybernetic Fiction. New York, Methuen.
Rabkin, E., Greenberg, M. H., Olander, J. D. (eds.), 1983. No Place Else:
Explorations in Utopian and Dystopian Fiction. Carbondale, Southern Illinois
University Press.
Rabkin, Eric S. The Fantastic In Literature. Princeton, NJ, Princeton
University Press, 1976.
Scholes, R. and Rabkin, E. S., 1977. Science Fiction: History, Science, Vision.
New York, Oxford University Press.
Scholes, Robert. Structural Fabulation. An Essay on Fiction of the Future. University
of Notre Dame, Notre Dame & London, 1975.
Shippey, T. A. “The Cold War in Science Fiction, 1940-1960”. En: Parrinder, Patrick
(ed.) Science Fiction. A Critical Guide. Longman, London, 1979.
Siegel, Mark. “Toward an Aesthetics of Science Fiction Television”
Extrapolation, Vol 25 Nº 1 Spring 1984. Kent State University Press.
Slusser, G. E., 1987 “Storm Warnings and Dead Zones: Imagination and the
Future.” [Slusser, G. E.; Greenland, C & Rabkin, E. S. (eds.), 1987. Storm
Warnings: Science Fiction Confronts the Future. Carbondale, Southern Illinois
University Press.]
Slusser, G. E.; Greenland, C & Rabkin, E. S., 1987. Storm Warnings: Science
Fiction Confronts the Future. Carbondale, Southern Illinois University Press.
Slusser, G., Rabkin, E. & Scholes, R. (eds), 1982. Bridges to Fantasy. Carbondale,
Southern Illinois University Press.
Slusser, George E. and Rabkin, Eric S. (eds), 1987. Aliens: The Anthropology of
Science Fiction. Southern Illinois University Press.
Stockwell, Peter, 1991. “Language, Knowledge, and the Stylistics of Science
Fiction.” [Shaw, P. & Stockwell, P. (eds). Subjectivity and Literature from
the Romantics to the Present Day. London & New York, Pinter Publishers.
Suvin, Darko, 1982. “Narrative Logic, Ideological Domination, and the Range of
Science Fiction: A Hypothesis with a Historical Test.” [Science Fiction Studies
# 26 Volume 9, part 1, March 1982.]
Warren, Bill. Keep Watching the Skies!. American Science Fiction Movies of the
Fifties. Jefferson and London: McFarland, 1982.
d) Bibliografía sobre
Tradición Afroamericana
Carbone
Valeria Lourdes “Shall they overcome?... Ayer y hoy del Moderno. Movimiento por
los DerechosCiviles de los Afronorteamericanos en los Estados Unidos. Antíteses, Ahead of Print do vol. 1, n. 2, jul.-dez. de 2008
Furman,
Jay. Toni Morrison’s Fiction . University of South Carolina Press. Columbia,
South Carolina, 1996.
Pérez-Torres, Rafael “Knitting And Knotting The Narrative Thread—Beloved As
Postmodern Novel”
Peterson, Nancy J. Toni Morrison: Critical and Theoretical Approaches. Baltimore.
The Johns Hopkins University Press, 1997. Contiene:
Christian, Barbara T. “Layered Rhythms: Virginia Woolf and Toni Morrison”
McKee, Patricia “Spacing and Placing Experience in Toni Morrison's Sula”
Ryan, Judylyn S. “Contested Visions/Double-Vision in Tar Baby”
Perez-Torres, Rafael “Knitting and Knotting the Narrative Thread—Beloved as
Postmodern Novel”
DeKoven, Marianne “Postmodernism and Post-Utopian Desire in Toni Morrison and
E. L. Doctorow”
Dwight, A. “Me Bride Speaking the Unspeakable: On Toni Morrison, African
American Intellectuals and the Uses of Essentialist Rhetoric”
Moreland, Richard C. “He Wants To Put His Story Next To Hers”: Putting Twain’s
Story Morrison’s Beloved
Schwartz, Larry “Toni Morrison and William Faulkner: The Necessity of a Great
American Novelist”
Smith Valerie “Circling the Subject”: History and Narrative in Beloved”
Moreland Richard C. "He wants to put his story next to hers": Putting
Twain's Story Next to Hers in Morrison's Beloved
Woidat Caroline M. “Talking Back to Schoolteacher: Morrison's Confrontation
with Hawthorne in Beloved”
Peterson Nancy J "Say make me, remake me": Toni Morrison and the
Reconstruction of African-American History
Phelan James “Toward a Rhetorical Reader-Response Criticism: The Difficult, the
Stubborn, and the Ending of Beloved”
Rodrigues Eusebio L.”Experiencing Jazz”
Morrison Toni “Nobel Lecture 1993”
e) Bibliografía sobre
Tradición Chicana
Hernández-Gutiérrez,
Manuel de Jesús. El colonialismo interno en la narrativa chicana; el Barrio, el
Antibarrio y el exterior. Tempe, Arizona. Bilingual Press/Editorial Bilingüe,
1994.
Frazer, Timothy C “Chicano English and Spanish
Interference in the Midwestern United States” American Speech, Vol. 71, No. 1
(Spring, 1996), pp. 72-85 Duke University Press.
Pérez-Torres, Rafael. “Chicano Ethnicity, Cultural Hybridity, and the Mestizo
Voice” American Literature, Vol. 70, No. 1 (Mar., 1998), pp. 153-176 Duke
University Press
Márquez, Antonio. “The American Dream in the Chicano Novel” Rocky Mountain
Review of Language and Literature, Vol. 37, No. 1/2 (1983), pp. 4-19 Rocky
Mountain Modern Language Association.
Aparicio, Frances R. “On Multiculturalism and Privilege: A Latina Perspective”
American Quarterly, Vol. 46, No. 4 (Dec., 1994), pp. 575-588 The Johns Hopkins
University Press
Paredes, Raymund A. “The Evolution of Chicano Literature” MELUS, Vol. 5, No. 2,
Interfaces (Summer, 1978), pp. 71-110 The Society for the Study of the
Multi-Ethnic Literature of the United States (MELUS)
Lattin, Vernon E. Contemporary Chicano Fiction: A Critical Survey. Binghamton,
New York. Bilingual Press/Editorial Bilingüe, 1986. Contiene los siguientes
artículos:
SALDIVAR, RAMÓN, “A Dialectic of Difference: Toward a Theory of the Chicano
Novel”
ARMAS, JOSÉ. “Chicano Writing: The New México Narrative”
LEWIS, MARVIN A. “The Urban Experience in Selected Chicano Fiction”
GRAJEDA, RALPH F. “Tomás Rivera's Appropriation of the Chicano Past”
RODRÍGUEZ, ALFONSO. “Time As a Structural Device in Tomás Rivera's ". . .
y no se lo tragó la tierra"”
RODRÍGUEZ, JUAN “The Problematic in Tomás Rivera's ". . . and the earth
did not part"”
RASCÓN, FRANCISCA. “La caracterización de los personajes femeninos en "...
y no se lo tragó la tierra"”
Saldívar, Ramón “Chicano Literature and Ideology: Prospectus for the '80s”
MELUS, Vol. 8, No. 2, Ethnic Literature and Cultural Nationalism (Summer,
1981), pp. 35-39 Published by: The Society for the Study of the Multi-Ethnic
Literature of the United States (MELUS)
Morales, Candance. “’Our own voice’: The Necessity of Chicano Literature in
Mainstream Curriculum” Multicultural Education 9 nº2 Winter 2001
Alarcón Justo S. “La búsqueda de la identidad en la literatura chicana: Tres
textos” Biblioteca Virtual Cervantes. Hhttp://www.cervantesvirtual.com/servlet/SirveObras/chic/12251631020159384321435/index.htmH
O'Connell, Patrick “El diablo en Texas: un discurso chicano frente a una
lectura posmoderna” 2001 California State University, Sacramento. Hhttp://www.accessmylibrary.com/coms2/summary_0286-2607789_ITMH
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